“I decided to use that experience to open my own small studio and build my IP,” Nakamura says. Later in the documentary, Nakamura adds that she wants to build a diverse team, noting that after her E3 presentation, 80% of the messages she received were from women “happy to see a female game creator getting on stage and showing her game.” Nakamura rounds off the documentary by adding that she wants to make a game “full of dark jokes,” and compares herself to Deadpool.
Ikumi Nakamura left Tango Gameworks in September of 2019 after nine years as a creative director, her last project being Ghostwire: Tokyo. This came shortly after Nakamura stole Bethesda’s E3 show with an on-stage presentation of the upcoming game at E3 2019. Nakamura says that she initially thought that her talk had gone badly, but a colleague later showed her how the presentation was blowing up on Twitter and in the media. “I realised how important it was, to be honest to oneself,” Nakamura says.
Nakamura also talks about the games that motivated her to pursue a career in the games industry such as Devil May Cry and provides an overview of her career so far. Describing Ghostwire: Tokyo, Nakamura says “I really like urban legends and everything that touches the occult. Fringe science as well, using science to solve ghost mystery series. There was the ‘Fringe’ series as well, which I liked a lot. I was thinking that we could make a game that was mixing all of these.”
Ghostwire: Tokyo is aiming to arrive for PS5 and PC in October, and will remain a timed console exclusive, despite Microsoft’s purchase of Bethesda and, by association, Tango Gameworks. In June 2020, Nakamura told IGN Japan that she has plans to pitch a new Okami game to Capcom, after teasing a potential collaboration with PlatinumGames’ Hideki Kamiya in October of 2019.
Jordan Oloman is a freelance writer for IGN. Follow him on Twitter.